Highlights
TASK:
Nathan Thomas, NDSU student
Herstory of Landscape Architecture
Professor S. Famulari
Natural or Unnatural
What does the word natural mean exactly? Webster’s dictionary (Websters.com, retrieved September 2, 2014) defines the term as being in accordance with or determined by nature, but what does the word actually mean. Well the term natural is somewhat of an opinion and can have many different meanings depending on who you talk to. Another definition of the word is an inherent sense of right and wrong. This could mean that natural is designing in a way that is not “wrong with the earth.” Or it could mean designing in a fashion that feels like it belongs with its surroundings. I believe what is natural, changes through time, as has the style of landscape design. What is considered natural to one time period can be considered something very unnatural to another. For example, a very long stretch of asphalt with painted lines on it would be very unnatural to a person living in ancient Egypt. Yet today in modern times everyone would recognize it as a road and not give it a second thought. In ancient Egypt it was the raw materials that were considered to be natural. Things they could already see and smell were the normal, rational things. They did not have the technological advances to be able to do anything to the materials so they worked with the land. Despite the Egyptians lack of technology they were still able to construct magnificent structures and landscapes. To someone not born in recent times not living next to a water source would be foolishly unnatural. However, as time progresses and man strives harder to gain control over the landscape the idea of what is natural begins to change. In the English and Italian Renaissance periods we begin to see the landscape become subservient to humans. We can shape and mold the way things look with severe handling and our structures begin to dwarf our landscapes. Patterns can be created in the plant life and the rich begin to exercise this new control. These new ideas quickly become something that is naturally acceptable and applied by the gardeners of the time. These new symmetrical forms and shapes of the land are perfectly natural in the English renaissance, but these ideas would be foreign and alien to the ancient Egyptians. They might very well think it something that only the gods would be able to do and therefore unnatural. In our modern day picturesque movement many find the shapes and forms of the symmetrical English gardens to unnatural to use in their landscapes. We prefer planned forms that appear to be unplanned. We prefer the aesthetics and asymmetry of the land over showing our dominance.
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