Indian New Cinema Or Parallel Cinema Era Assignment

Assignment Task

A brief overview of the New Indian Cinema/Parallel Cinema

• New Indian Cinema, aka Parallel Cinema
• Originated in West Bengal, India in the 1950s.
• Contemporary film-making was seen as formulaic and lacking artistic merit.
• The movement was led by a group of visionary filmmakers who sought to create a new kind of cinema
• Their filmmaking would reflect the realities of contemporary India and engage with social and political issues.

Patrons of the movement

• Satyajit Ray is the most well-recognized of these filmmakers, who secured the international acclaim under his belt for his Apu Trilogy
• Ritwik Ghatak was another quintessential figure, known for his exploration of identity and displacement in Bengali society, like “Meghe Dhaka Tara”

Influencers of New Indian Cinema

New Indian  Cinema movement could forge a distinct style by inculcating Italian Neorealism, French and Japanese Wave

Characteristic attributes of new Indian Movement

• Serious content revolves around depicting issues pertinent with social and political angles
• Realism and naturalism inherently emulates classical theme with storytelling flair
• Symbolic elements are extensively inculcated to convey deeper meanings
• Primary emphasize on the sociopolitical climate of contemporary India

Contribution of Parallel Cinema

• The films under the banner of Parallel Cinema won several international acclaim
• Satyajit Ray and Mrinal Sen received recognition at prestigious film festivals like Cannes and Venice.
• The movement is regarded as renaissances of Indian film industry
• Other renowned filmmakers adhered or tried to maintain a consonance in their respective line of work, with new forms and styles.
• The legacy left by the Parallel Cinema paved the boulevard of contemporary Indian cinema in the late 70s and 80s.
• Filmmakers started delve into assay to extrapolate captivating themes that can illustrate the social and political significance.

Sustained Legacy

• Parallel Cinema remains a quintessential aspect of Indian cinematography.
• It challenged the existing framework at a time, when no one even dared to question the trend.
• The dominant conventions of commercial Indian cinema single handedly paved the way for new forms of artistic expression.
• Countless films which are aligned with the notion of Parallel Cinema are still revered even today
• Artistic and cultural significance upheld by contemporary film makers and their sole focus of social justice and inequality is truly exemplary in nature.

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