Highlights
Task
The Indian writer in English can justify his existence – he must live. . . by being wholly andtruly himself. He (or she) must not try to be Matthew Arnold in a saree (in Gordon Bottomley’sfamous phrase), or a Shelly in a salwar, or a Byron in a burkha or a Lawrence in a lungi or aJoyce in jodhpurs or a Babu Beckett.” (Naik, M.K. A History of Indian English Literature)“…We are all instinctively bilingual, many of us writing in our own language and in English. Wecannot write like the English. We should not. We cannot write only as Indians…Our method ofexpression therefore has to be a dialect which will someday prove to be as distinctive andcolourful as the Irish and the American…The tempo of our Indian life must be infused into ourEnglish expression…” (Rao, Raja. Foreword to Kanthapura )“For a long time it had seemed that English writing in India was destined to remain an onestringed instrument, because the normal ground conditionsof literary production, where a cultureand its variations, a language and its dialects, centuries of oral tradition and written literature, allinteract to create a new text-do not exist inthe case of English in India.” (Mukherjee,Meenakshi.‘Anxiety of Indianness’)
In 2002, several eminent Indian language writers, including Sunil Gangopadhyay, Dilip Chitreand Bhalchandra Nemade, variously described Indian writers in English as ‘creative travelwriters’, ‘artificial western flowers’, ‘necromancers creating something out of nothing’, anddismissed their writing as contingent on ‘an English language mirror to know its face’, or simplyovervalued ‘just like a fair skinned woman [is] in our society.” (Kohli, Devindra. ‘Introduction’Kamala Das : Selected Poems)
The passages above foreground the case of Indian writing and writers in English as a curiousone. There have been assertive instructions, like that of Naik and Rao, to not to write like theirEnglish/Western counterparts. There also have been accusations and reservations like that ofNemade and Mukherjee respectively. As more and more Indians endeavor to write in Englishand even earn a global recognition for their writings, this debate seems redundant or havebecome normalized to the point of being ignored. However, it is still impossible to not to think ofthe questions that have always existed for Indian writing in English owing to India’s uniquerelationship with the language itself.
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