Potential Legal Issues - Protection of Cultural Property - Law Assignment Help

Assignment Task :

1. What are the potential legal issues when it comes to the practical enforcement of the 1954 hague convention for the protection of cultural property in the event of Armed conflict?

• Lecture 

• Also extend to think about broader issues of international law and conventions, themes that were discussed in the two lectures by the guest lecturers

• Can critique convention itself 

2. What rights are remedies are available to the copyright owner when an unauthorised copy of a work of art has been bought from a foreign website and imported by either a business or an individual consumer? What may the owner of that copy use it for?

• Relates to urger blocas lecture – intellectual property and fine arts lecture

• Legal and moral response to the issue of art copy right and integrity of artist reputation 

3.  Is the art market itself, with its opaque and secretive ways of doing business, fundamental facilitating criminal activity?

• Much broader question – can cover much of the content in the unit

• Shadowy protocols/methods of doing business

• Is it fit for purpose? 

• Issues about fakes and frauderies 

4. Should graffiti writers retain any legal rights over work that they do in public?

• Lecture on graffiti and cultural vandalism – first part of lecture

• 5 points of legal wall in NYC – most prominent case regarding this issue

• But there are lots of other cases!! That relate to this issue and looking for people to show initiative to fold other cases into their answers..!! 

• To do well you need to be original and creative with examples in your answer

5.  If you were tasked with writing an introduction to art law handbook for lawyers new to the subject, what legal elements would you include and why?

• Another general question but promdomiantely about legal matters

• Criminological concerns – which areas are indeitified as important and how does law attempt to deal with these areas

• Allows you to select what you think are the most important elements of art law

6.  Is the traffic in cultural property a form of organised crime?

• Can be both legal (international laws that exist around legality, e.g. international broader crossing, etc.) and criminological (drawing on work of organised crime in other areas and applying that to antiquities and art crime) answered 

7.  How does art theft differ from other types of acquisitive criminality?

• Preliminary criminological – approach from terms of crime prevention, motivation of art thieves, issues of policing, how do police forces differ in their approaches, resources, techniques, international exchange, corporation etc.

• Art theft lecture – allows broad response possibility

• Individual motivation, typology of offender, etc.

8. ‘When it comes to antiquities trafficking, international law is not worth the paper is written on’ – Discuss.

• Provocative statement and question

• Does allow you to answer in two ways – build a case against or for the statement

• Best way forward is international response or… opposite

• International law..!!

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