Versatility of Imagery in Jayanta Mahapatra's Poetry - SCS College

Assignment Task 

Abstract

This dissertation adheres to attain the vicinity dwelling upon the imagery used by Jayant Mohapatra in his poetic world. He has adopted certain idiosyncratic techniques exploring the themes such as Love, Death, Exploitation of women, Human relationships, morality, social problems etc. Such a wide spectrum of themes depicted by Jayant Mohapatra racks up justice through the juxtaposition with the ‘Imagery’, he amassed in his poems. As per concerning the method of research, the paper utilizes qualitative approach that analyses the imagery used in the works of discussion. Jayanta Mahapatra uses a free verse style with an irregular stanza pattern, a conversational tone, and he wishes to examine the complexities and uncertainties of life. It also describes how he has used certain strategies to examine subjects like love, death, and the exploitation of women, as well as how he has projected the image that women are unique in poetry because they lack emotion and identity. Images that Mohapatra allocates in his poems are to be dropped from two worlds such as the exterior world of phenomenal reality and the surrealistic world. The image for Jayanta Mohapatra is not merely the primary pigment of poetry, it is almost his way of reacting to experience and recording it as well. To exemplify, this paper takes a close glimpse at his poems among which a poem is “The Exile” that establishes the amalgam of the literal and symbolic kind of imagery. His uses of metaphors as “rain” reflects the image of his psychological condition. The reiterated image of ‘Nature’ in Mahapatra’s poetry as interpreted in the work denotes the ‘Subjective response’ as distinct from the image of universal ethos.

Introduction

1.1. Background of the study

Literature is entwined with numerous genres typically like drama, Prose, and Poetry. Every style even embodies great traits that verifies in specific manner. Poetry possesses Aeon elderly root in literature international; May that be Mahabharata in Indian literature or Macbeth of Shakespeare. However, poetry being an aesthete of literary international serves as a result through the evocative utility and ostensible manner. Poetry seems with versatility that on occasion indicates solo lifestyles as discrete poems or happens similarly to different arts as in narrative poetry, hymns or lyrics. symbolism in literature is made clearer with the aid of using this essay. Before continuing, we’ll study times of symbolism in each fiction and poetry. The undertaking paper is primarily based totally at the study over the importance of symbolism in Robert Frost’s Poetry. This study is vast to behavior due to the fact with the aid of using analyzing the poetry symbolism may be learnt and found out through literary work.

1.2 Jayant Mahapatra as a poet

Jayanta Mahapatra as a poet is first of all a myth-maker; an imagist of a high order taking the visionary glides. Sitting by the door, he dreams to dwell far. Depicted against the backdrop of the mythic-historical background, he continues to evade us with his escapades and flights of imagination, bringing poetry closer to physics, sociology, museology, art and architecture. Apart from being closer to what it brings him nearer to, feminism, bare realism and other ground realities twitch him for an expression and he really views them with an aggrieved heart. Jayanta Mahapatra when he started writing verses in English just wrote down the imagistic lines which took the shapes of smaller poems no doubt, but the meaning was not in them nor could it be found and it is also a fact that this also remains a specialty of his poems that these cannot be annotated even now and it may be his so-called obscurity. Whatever be that he has not written for meaning’s sake, but for photography’s sake. A teacher of physics one has read and taught physics in classrooms, how can we expect it that he will turn to literature barely? To see it otherwise, to him, physics is poetry and poetry physics, an exchange of both.

What is poetry to Mahapatra, if somebody asks it, how to answer? Poetry is photo-negatives; Odishan landscapes, a peep into Oriya life, culture, thought, philosophy and society. Poetry is a dip in nothingness, existentialism, agnosticism, faith and doubt. Why is this waiting? What do we wait for and what does it turn up finally? Is life a waiting and man keeps waiting for it life-long? To see it otherwise, Jayanta’s poetry is a study in Samuel Beckett’s Waiting For Godot. Who is this Godot? Even Samuel Beckett cannot say it. What to say of Jayanta Mahapatra who keeps turning poetry into physics, even going to the extent of deriving and drawing from light and darkness and the origin of the universe?

1.3 Kinds 0f Imagery

Sensory imagery involves the use of descriptive language to produce internal images. In literary terms, sensory imagery is a type of imagery; the difference is that sensory imagery works by engaging a reader’s five senses. Any description of sensitive experience in writing can be considered sensory imagery.

1.4 Visual imagery

Visual imagery is most likely what people think of when they hear the term imagery. It uses qualities of how something looks visually to best create an image in the reader’s head. These visual qualities can be shapes, colour, light, shadow, or even patterns.

1.5 Auditory Imagery

Auditory imagery is the use of descriptive language to create imagery that appeals to our sense of hearing. In other words, it refers to what we 'hear' in our mental image. Descriptive language can create a mental image of sounds, even when there is no external stimulus (i.e. no 'real-life sound').

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